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Paris 1874 draws on new scholarship to offer a multidisciplinary approach to impressionism. It explores the important role played by the contemporary press and also contextualizes the movement in relation to the devastation of the Franco-Prussian War and the Commune, as well as the subsequent process of reconstruction. Above all, it challenges established narratives surrounding the origins of impressionism itself by reexamining its position within the larger artistic landscape, particularly in relation to the Salon—which exhibited works strikingly similar to those included in société anonyme’s exhibition. With an engaging design that uses motifs from archival materials to suggest the look of Parisian publications of the 1870s, this book is a handsome and compelling addition to our understanding of the dawn of impressionism and why it is considered a pivotal moment in the history of Western art. Distributed for the National Gallery of Art, Washington Exhibition Schedule:Musée d’Orsay, Paris (March 25–July 14, 2024)National Gallery of Art, Washington, DC (September 8, 2024–January 19, 2025)
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